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Top 5 songs sung a cappella

Thursday, October 15th, 2009

The idea for today’s Top 5 comes from a good friend and singer/song-writer Janine Talbot. It should be noted that she thought of it way before “Glee” premiered.

A cappella. A force for evil? Probably. But there’s just something about it that brings out our inner geek, and it seems to be undergoing a renaissance. Ben Folds recently released versions of his music performed by university a cappella groups, and Fox’s “Glee” appears to be making waves.

What’s the reason for this (dare we call it) fad? Who knows. What made swing music so popular briefly in the late ’90s? Much like what goes on inside the head of Glenn Beck, it’s a mystery.

Top 5 songs sung a cappella:

1. “Star Wars (John Williams Is The Man),” John Williams; performed by Corey Vidal
There’s a lot of these multitrack videos circulating on YouTube, but Vidal seems to have struck gold by singing dialogue from the original Star Wars films to the melodies of the better-known John Williams scores.

2. “Spider Pig,” Hans Zimmer; performed by the Dordt College Concert Choir
How else could you possibly improve one of the best parts of “The Simpsons Movie”?

3. “Bitches Ain’t Shit,” Dr. Dre; performed by UC Berkeley’s DeCadence
“Bitches Ain’t Shit” began life as a salvo in the ongoing feud between West Coast rappers Dr. Dre and Easy E. In 2005 Ben Folds released a more melodic version, but it’s only when performed by UC Berkeley’s DeCadence that “Bitches Ain’t Shit” achieves its fullest flower. Warning: The following contains some very bad words.

4. “Stacy’s Mom,” Fountains of Wayne; performed by the Colby College Blue Lights
There is an unsettling number of YouTube videos of college a cappella groups performing this Fountains of Wayne tune, likely as part of some conspiracy that will lead to the destruction of western civilization. Enjoy!

5. Themes to “Speedracer,” “Underdog,” performed by The Blanks
One of the more charming recurring gags in the sitcom “Scrubs” was The Blanks, Ted’s a cappella group which started out singing cartoon themes before moving on to other genres.

What songs do you dig, instrument-less?

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adunemployed

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Posted in Top 5 | 2 Responses »
Tags: Ben Folds, Blue Lights, Corey Vidal, DeCadence, Dordt College Concert Choir, Dr. Dre, Easy E., Fountains of Wayne, Hans Zimmer, John Williams, NWA, The Blanks, The Simpsons

Top 5 Film Scores That Weren’t Composed By John Williams (longform)

Wednesday, July 8th, 2009

Well, it’s summer, which means we get to plop $10+ down at the local googolplex to watch Michael Bay clobber us repeatedly with CGI robots that turn into, I dunno, Pepsi products. But whatever your take on the current crop of summer releases, even the worst Stephen Spielberg cuddly alien/android-boy flick is bound to have a decent score. So, in recognition of the best excuse ever to consume an over-sized cartons of Milk Duds in one sitting, theFiver proudly presents:

Top 5 Film Scores That Weren’t Composed By John Williams

1. “Fanfare For Rocky,” Bill Conti
I don’t care what you think about the film’s sequels, when you hear the opening trumpets and saw the words “Rocky” in the film’s opening scroll, you know you were in for something grand, almost regal, which is a stark contrast to the title character’s working class roots. While “Gonna Fly Now” shall always be Rocky’s signature tune, “Fanfare,” for me, always kick-starts the adrenaline. Yo.

2. Themes from: “Star Trek: The Motion Picture;” “Star Trek V: The Final Frontier;” “Star Trek: First Contact,” Jerry Goldsmith
The quality of Star Trek films are often the inverse of their soundtrack. Star Trek: The Motion Picture was slow, plodding and humorless, but Goldsmith’s grandiose score practically screams adventure, and has been cribbed by several other Trek films and the series The Next Generation. The same theme is used in Star Trek V, one of the least-loved, most Shatnerized, Trek films. However, this version of the soundtrack is memorable due to the update of the Klingon theme, which sounds absolutely prehistoric. Goldsmith’s music resurfaces again in First Contact, with an additional sweeping, romantic theme. Live long and, well, you know.

3. “The Lord of the Rings” trilogy, Howard Shore
Shore composed distinct themes for the characters and peoples of Middle Earth. From the high wailing of Rohan, to the grandiosity of Minas Tirith, the sorrow of Gollum, and of course the theme of the fellowship, each theme seems to be equally evocative.

4. “The Godfather: Waltz,” Nino Rota
Rarely has a waltz wanted to make you do anything but dance. When you hear that first trumpet, you just know someone’s gonna get whacked. A theme dangerous in its understatement.

5. “The Batman Theme (1989),” Danny Elfman
The main theme to Tim Burton’s dark and quirky Batman seems to perfectly encapsulate the strange world where Michael Keaton can project terror into the heart of Jack Nicolson. As for Prince’s contribution (“The Batdance,” anyone?), well, some things are better left unsaid.

Runners up: “Lawrence of Arabia,” “Serenity,” “The Hallelujah Trail,” “The Ten Commandments,” “2001 (Also Sprach Zarathustra),” “Casablanca,” “The Dark Knight.”

Let’s go out to the lobby: What film scores move you?

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Posted in Top 5 | 2 Responses »
Tags: Bill Conti, Danny Elfman, Howard Shore, Jerry Goldsmith, John Williams, Nino Rota

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