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Trent Reznor

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Top 5 more-or-less successful musical partnerships of the 1990s

Friday, August 28th, 2009

TZHey, kids, remember the ’90s? It was a magical decade. The series of tubes which would become America’s Super Highway to Pornography were just being laid. Netscape, a company that would go on to defeat Microsoft in the browser wars became the greatest economic force the world would ever know, forcing other software giants into a dark slumber and the eventual murder/suicide pact of Bill Gates and Steve Jobs.

Meanwhile, “Titanic” was embraced by critics but shunned by young women everywhere, grossing a mere four dollars at the box office. America was captivated by TV’s Marcel, David Schwimmer’s stand-in on “Friends.” TV network juggernaut UPN stunned the world with “The Secret Diary of Desmond Pfeiffer,” a show so successful that ratings for its series finale rivaled those of M*A*S*H. Also, some music happened:

Top 5 more-or-less successful musical partnerships of the 1990s

1. “6th Avenue Heartache,” The Wallflowers (backing vocals by Adam Duritz of Counting Crows)

2. “Hold My Hand,” Hootie and the Blowfish (backing vocals by David Crosby)

3. “What Would You Say,” Dave Matthews Band (harmonica solo by John Popper of Blues Traveler)

4. “Past The Mission,” Tori Amos (backing vocals by Trent Reznor of Nine Inch Nails)

5. “‘Til I Hear It From You,” Gin Blossoms (produced by Marshall “Power Pop Darling” Crenshaw)

Top 5 more-or-less successful musical partnerships of the 1990s

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Posted in Top 5 | 1 Response »
Tags: Adam Duritz, Blues Traveler, Counting Crows, Dave Matthews Band, David Crosby, Gin Blossoms, Hootie and the Blowfish, John Popper, Marshall Crenshaw, Nine Inch Nails, The Wallflowers, Tori Amos, Trent Reznor

New NIN final dates, Colour returns

Thursday, July 9th, 2009
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Photo by Swimfinfan, obtained through Creative Commons

Nine Inch Nails will be adding a few shows in New York, Chicago and Los Angeles starting Aug. 22. The band had previously announced the tour that ended in June with Jane’s Addiction would be its last in the U.S.

On its website, NIN frontman Trent Reznor wrote the new dates ” … will be informal affairs in medium to small venues with longer set-lists, possible special guests, cool openers and other surprises. Upon reflection, the NIN/JA tour felt like we had to rush through sets due to a limited allotted set length and many shows were in daylight – it just didn’t feel right to end NIN that way. An offer to headline a festival (being announced soon) set the idea in motion to play some FUN shows to end this up with. If we can get it together we’ll film these shows, too.”

Living Colour is releasing its first studio album in five years with the band’s original lineup. “The Chair In The Doorway” will be released on Sept. 15 on Megaforce records, according to the band’s MySpace page. Living Colour is perhaps best known by their 1988 hit “Cult Of Personality,” the fact that they have a “u” in their name, and by being confused with the FOX sketch show “In Living Color.”

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Tags: Living Colour, Nine Inch Nails, Trent Reznor

Top 5 Unexpected (But Not Unwelcome) Cover Tunes

Friday, July 3rd, 2009

Today on theFiver, we’re starting what I hope will catch on as a tradition: Guest writers. And to kick this off is my good friend, Kate Stabile, who is showing off some good musical taste with:

Top 5 Unexpected (But Not Unwelcome) Cover Tunes

Every now and then comes an artist and cover song combination that just makes you go, “Huh?” Some are bold new interpretations, some are just plain fun, but all of them inexplicably work. Here are five examples that spring to my mind, in no particular order…

“Mad World,” Gary Jules/Michael Andrews

This is one of my favorite covers of all time. The original has a more frenetic quality, while the cover brings out a melancholy tone, both of which can be suggested by the lyrics. It’s especially interesting to listen to both this and the Tears for Fears original in sequence to hear the different interpretations.

“I Will Survive,” Cake

An emotional song of post-breakup empowerment and the laconic, deadpan style of Cake may seem to make strange bedfellows, so to speak, but I think that juxtaposition of styles is a big part of what makes this cover work. And besides, we all know that what the Gloria Gaynor tune was missing was that horn solo.

“Careless Whisper,” Seether

I just love the mental image of Shaun Morgan listening to the original Wham! version and saying, “Yeah! This is something my band should cover.” When I first heard that this particular song was to be covered by Seether, I think my face might have resembled Shrek and Donkey’s after they were welcomed to Dulac by a group of singing puppets. It may be a bizarre choice, but it … it just rocks. And that’s good enough for me.

“Land of Confusion,” Disturbed

Speaking of singing puppets… Genesis originally released Land of Confusion in the midst of the fear and uncertainty of the Cold War 80s, accompanied by a bitingly satirical video featuring puppets of the band and leading political and cultural figures of the day. Disturbed chose another time of fear and uncertainty to release the cover. Once the initial surprise is overcome, it actually can be seen as a rather appropriate choice, as well as a reasonably faithful version.

(Note: An honorable mention also goes out to Disturbed for their cover of Tears for Fears’ Shout. It’s the inclusion of the line “ice ice baby” by a hard rock band performing an 80s classic that really pushes it over the edge.)

“Hurt,” Johnny Cash

A music legend performing a heartbreaking version of a Trent Reznor-penned tune. Brilliant. ‘Nuff said.

Top 5 covers by Kate

What are your Top 5 unusual but superfantismonic covers?

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Tags: Cake, Disturbed, Gary Jules, Genesis, Gloria Gaynor, Johnny Cash, Michael Andrews, Nine Inch Nails, Seether, Tears For Fears, Trent Reznor, Wham!

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